A keyed paint container holder for paint mixers having a pivoting interlock key movable with respect to a paint container Other problems landscape oil paintings associated with paint delivery and application systems of the type described herein, particularly for mass production applications, including automotive applications, generally relate to the precise metering of liquid coating or paint applied to the part because of differences in the temperature and viscosity of the liquid coating and different parts may be painted in the same line. Where paint canisters are utilized, it would also be desirable to use a nonconductive cylinder which does not expand or contract under varying conditions. In certain applications, for example, it would be desirable to provide an excess of available paint to compensate for variations in temperature and viscosity and return the excess paint to the color changer.
The paint delivery and application systems and methods of this invention solve the above-identified problems, including reduced cycle time discount oil paintings, automatic switching of paint and rapid flushing of the paint applicator between applications and electrically isolates the color changer from the applicator permitting use of electrically conductive paint, including but not limited to water based paints. The paint delivery and application systems of this invention also eliminates waste of paint. The paint delivery and application systems and method of this invention is also easily adapted for robotic paint application systems using a rotary atomizer and applying electrically conductive paint.receptacle of the holder for orienting a rectangular footprint paint container to have a handle of the paint container in a corner of the holder adjacent the interlock key.
The interlock key has first and second portions abstract oil painting and is pivotable with respect to the holder to at least first and second positions and, optionally, to a third position. The holder accepts a cylindrical paint container as an alternative to the rectangular footprint paint container.
Thursday, February 28, 2013
Formed of plastic
In one embodiment of the method, the insert is a screw which is reversibly advanced into the tip to lock it into the ferrule. Such an embodiment may be part of a kit, for example, in which a variety of artist's oil paintings tools can be prepared using a standardized ferrule and handle in conjunction with an array of tips which vary in shape, the size of the paint contacting portion, and/or the hardness. If the attachment of the ferrule to the handle is reversible, for example a threaded attachment, then the artist may exchange tips as desired. If the attachment of the ferrule to handle is permanent, savings in production expense result yet a high quality device may still be produced.
In another preferred embodiment hand-painted oil painting of the method, the handle and insert are integral. Preferably, the handle and integral insert in such an embodiment are formed of plastic. In this embodiment, the installation of the insert into the tip occurs in conjunction with the attachment of the ferrule to the distal end of the handle. Specifically, placement of the ferrule onto the handle occurs simultaneously with installation of the insert.
Crimping of a metal ferrule onto the handle cheap oil paintings may then occur. If the insert and the optional insert cavity include flutes, undesirable rotation is particularly avoided in the resulting device. Four flutes are a particularly preferred embodiment in such a method. One or more barbs also may be included to better resist extraction in a permanent attachment of the ferrule to the handle. In yet another version of this method, the tip may have the integral insert of a handle inserted first and the rigid ferrule installed subsequently.
In another preferred embodiment hand-painted oil painting of the method, the handle and insert are integral. Preferably, the handle and integral insert in such an embodiment are formed of plastic. In this embodiment, the installation of the insert into the tip occurs in conjunction with the attachment of the ferrule to the distal end of the handle. Specifically, placement of the ferrule onto the handle occurs simultaneously with installation of the insert.
Crimping of a metal ferrule onto the handle cheap oil paintings may then occur. If the insert and the optional insert cavity include flutes, undesirable rotation is particularly avoided in the resulting device. Four flutes are a particularly preferred embodiment in such a method. One or more barbs also may be included to better resist extraction in a permanent attachment of the ferrule to the handle. In yet another version of this method, the tip may have the integral insert of a handle inserted first and the rigid ferrule installed subsequently.
Tuesday, February 26, 2013
Splashing Colors
Flowing Colors, also oil paintings called Splashing Colors, is an innovating, unique oil painting method. It is difficult to confine oils in water to construct the desired shapes. Many artists had attempted to take command of free flowing oil, but could not control oil paints to the point where an image was formed with precision.
They could only make hand-painted oil painting but not object paintings with shapes or details. The Flowing Colors method accomplishes this. The method daringly fuses painting oil and water, using water to control the colorful painting oils, flowing the two resisting elements onto wet paper/canvas.
The oil and water are mixed yet repelled each other, separated yet commingled together, opposed yet supported each other. The subsequent effect is the ability to form accurate images plus desired colorful dynamics, to express the powerful depiction of high mountains, flying clouds, rolling water, soaring tidal waves, and precise figures cheap oil paintings. The marriage of water and oil, an unthinkable combination, brings images rich in color, vibrant in lights, sophisticated in fullness and emptiness, and an abstract yet classic form of painting.
They could only make hand-painted oil painting but not object paintings with shapes or details. The Flowing Colors method accomplishes this. The method daringly fuses painting oil and water, using water to control the colorful painting oils, flowing the two resisting elements onto wet paper/canvas.
The oil and water are mixed yet repelled each other, separated yet commingled together, opposed yet supported each other. The subsequent effect is the ability to form accurate images plus desired colorful dynamics, to express the powerful depiction of high mountains, flying clouds, rolling water, soaring tidal waves, and precise figures cheap oil paintings. The marriage of water and oil, an unthinkable combination, brings images rich in color, vibrant in lights, sophisticated in fullness and emptiness, and an abstract yet classic form of painting.
Monday, February 25, 2013
Paint circulation systems
As viscosity changes the quality of the animal oil paintings applied paint will change, and to provide optimum results a variety of paint characteristics need to be known which are not available with conventional paint circulation systems.Yet another object of the invention is to provide a paint circulation system employing a circulation pump wherein makeup paint is injected into the circulation system by a positive displacement pump driven by a signal analyzing electric motor which provides outputs pertaining to paint volume being utilized, paint viscosity and bearing wear characteristics of the circulating pump.
Paint circulation systems are basically "closed" wherein the paint circulates in a loop, and it is necessary to add paint to the loop to replace that ejected from the nozzles. The circlation of the paint is at a high rate and the paint will be cycled many times if usage is low. Problems have been experienced with existing paint abstract oil paintings circulation systems with respect to paint particles settling within the network conduits, and degradation of the paint occurs during extended circulation, including the degradation of metallic flakes and the like which may be added to the paint for aesthetic purposes. Additionally, existing paint circulation systems do not permit a ready indication of the volume of paint being used, nor indicate the viscosity of the paint.
Yet an additional object of the invention is to landscape oil paintings provide a circulating paint system having a plurality of dead-end drops wherein an oscillating reservoir is employed at the terminating end of the dead-end drop sensitive to pressure fluctuations within the circulating system to vary its volume and serve as a surge suppressor and thereby produce an oscillating paint movement within the dead-end drop to provide sufficient agitation to minimize the settling of paint particles.
Paint circulation systems are basically "closed" wherein the paint circulates in a loop, and it is necessary to add paint to the loop to replace that ejected from the nozzles. The circlation of the paint is at a high rate and the paint will be cycled many times if usage is low. Problems have been experienced with existing paint abstract oil paintings circulation systems with respect to paint particles settling within the network conduits, and degradation of the paint occurs during extended circulation, including the degradation of metallic flakes and the like which may be added to the paint for aesthetic purposes. Additionally, existing paint circulation systems do not permit a ready indication of the volume of paint being used, nor indicate the viscosity of the paint.
Yet an additional object of the invention is to landscape oil paintings provide a circulating paint system having a plurality of dead-end drops wherein an oscillating reservoir is employed at the terminating end of the dead-end drop sensitive to pressure fluctuations within the circulating system to vary its volume and serve as a surge suppressor and thereby produce an oscillating paint movement within the dead-end drop to provide sufficient agitation to minimize the settling of paint particles.
Sunday, February 24, 2013
Speed of operation of the roller
With the arrangement of thelandscape oil paintings it is possible to apply paint at a uniform rate and with much less effort then heretofore. It is not necessary to replenish the paint supply to the roller since the pump in the support means for the roller supplies the paint under a predetermined pressure at all times. In addition it is not necessary to press the roller so that it rotates on the surface receiving the application but a drive motor is advantageously provided to move the roller in a smooth operational rate.
In accordance with another embodiment of the invention the paint is actually contained in the handle of the support for the roller and in such cheap oil painting an embodiment the paint is poured into one end of the holder when a cap or cover is removed and it remains in this position during operation. The pump contained in the handle has a suction which extends into the reservoir and the paint is supplied to the roller at a controlled pressure amount.
Control of the flow of the paint may advantageously be effected by varying the amount of paint which is returned from the surface of the roller or by varying the speed of the motor driving the pump which supplies the paint to the roller. Similarly abstract oil painting the speed of operation of the roller may be changed as desired during operation in order to vary the amount of paint which is deposited on the surface during a movement of the roller over the surface.
In accordance with another embodiment of the invention the paint is actually contained in the handle of the support for the roller and in such cheap oil painting an embodiment the paint is poured into one end of the holder when a cap or cover is removed and it remains in this position during operation. The pump contained in the handle has a suction which extends into the reservoir and the paint is supplied to the roller at a controlled pressure amount.
Control of the flow of the paint may advantageously be effected by varying the amount of paint which is returned from the surface of the roller or by varying the speed of the motor driving the pump which supplies the paint to the roller. Similarly abstract oil painting the speed of operation of the roller may be changed as desired during operation in order to vary the amount of paint which is deposited on the surface during a movement of the roller over the surface.
Friday, February 22, 2013
The liquid paint material
A finger painting apparatus includes a housing secured to the backhand portion of a user's hand by a flexible attachment strap. The housing supports a plurality of inverted paint bottles coupled to a corresponding plurality of flexible tubes hand-painted oil painting at one end thereof.
The remaining ends of the flexible tubes are coupled to a plurality of pad housings secured to the user's finger tips and supporting a corresponding plurality of porous painting pads on the undersurfaces thereof oil paintings.
The liquid paint material or the like within the inverted paint cheap oil paintings bottles is caused to flow from the paint bottles through the tubes to the pad housings and thereafter to the porous pads to provide finger painting operation.
The remaining ends of the flexible tubes are coupled to a plurality of pad housings secured to the user's finger tips and supporting a corresponding plurality of porous painting pads on the undersurfaces thereof oil paintings.
The liquid paint material or the like within the inverted paint cheap oil paintings bottles is caused to flow from the paint bottles through the tubes to the pad housings and thereafter to the porous pads to provide finger painting operation.
Thursday, February 21, 2013
The faucet or spigot
The faucet or spigot is then turned on to wash the roller cover and pad. Water then enters the liquid manifold adjacent to the body of cheap oil paintings the cover. As water pressure builds within the liquid manifold, jets of water exit the plurality of holes in the liquid manifold tubular section creating a curtain of water that impacts generally tangentially against the roller pad causing the roller pad to spin, exposing all parts of the roller pad and interior of the painting splatter and rinse splatter shields to the curtain of water.
The jets of water exit at an angle relative to the liquid manifold such that the various sized roller pads will spin when impacted. Centrifugal abstract oil paintings force resulting from the spinning, in conjunction with the force of the water curtain, forces the paint off of the roller pad and paint splatter shield. The rinse splatter shield contains the splatters resulting from the paint being forced off the paint roller by the curtain of water and centrifugal force.
The liquid drainage gap between animal oil paintings the back edge of the paint splatter shield and the leading edge of the rinse splatter shield allows the rinse solution to drain from the splatter shields and roller pad. Once the paint roller pad and roller are sufficiently clean of paint, the spigot or faucet is turned off, and the hose is removed from the liquid manifold. The rinse splatter shield is then rotated back to its stored position.
The jets of water exit at an angle relative to the liquid manifold such that the various sized roller pads will spin when impacted. Centrifugal abstract oil paintings force resulting from the spinning, in conjunction with the force of the water curtain, forces the paint off of the roller pad and paint splatter shield. The rinse splatter shield contains the splatters resulting from the paint being forced off the paint roller by the curtain of water and centrifugal force.
The liquid drainage gap between animal oil paintings the back edge of the paint splatter shield and the leading edge of the rinse splatter shield allows the rinse solution to drain from the splatter shields and roller pad. Once the paint roller pad and roller are sufficiently clean of paint, the spigot or faucet is turned off, and the hose is removed from the liquid manifold. The rinse splatter shield is then rotated back to its stored position.
Wednesday, February 20, 2013
Temperature drying types
Booth water is pooled at the bottom of the water-based paint application booth in the water-based paint recycling method of the present invention. There are no particular restrictions on the above-mentioned booth water, but examples include the liquid used to dilute the water-based paint being used, industrial water, city water, and the filtrate obtained by the water-based paint recycling method of the present invention. From the standpoint of the effect of the present invention, however, the liquid used to dilute oil paintings the water-based paint being used, and the filtrate obtained by the water-based paint recycling method of the present invention are preferred.
The above-mentioned liquid used to dilute the water-based paint can be any one that is well known to persons skilled in the art, as dictated by the water-based paint being used. Examples include deionized water alone and deionized water containing a water-soluble organic solvent. There are no particular restrictions on the above-mentioned cheap oil paintings water-based paint, which can be any one that is well known to persons skilled in the art, but examples include thermosetting types, normal temperature curing types, and normal temperature drying types.
From the standpoint of preventing the fouling of the walls inside abstract oil paintings the booth, it is preferable if part of the above-mentioned booth water runs down along the inner walls of the above-mentioned water-based paint application booth, forming a so-called “water curtain.” This water curtain preferably flows into the booth water pooled at the bottom of the water-based paint application booth.
The above-mentioned liquid used to dilute the water-based paint can be any one that is well known to persons skilled in the art, as dictated by the water-based paint being used. Examples include deionized water alone and deionized water containing a water-soluble organic solvent. There are no particular restrictions on the above-mentioned cheap oil paintings water-based paint, which can be any one that is well known to persons skilled in the art, but examples include thermosetting types, normal temperature curing types, and normal temperature drying types.
From the standpoint of preventing the fouling of the walls inside abstract oil paintings the booth, it is preferable if part of the above-mentioned booth water runs down along the inner walls of the above-mentioned water-based paint application booth, forming a so-called “water curtain.” This water curtain preferably flows into the booth water pooled at the bottom of the water-based paint application booth.
Sunday, February 17, 2013
A method for formulating paint
A method for formulating paint is disclosed. The method includes providing a plurality of color coordinates of paints formed from a plurality of formulations and providing durability data related to the paints. Thereafter, the color coordinates, the cheap oil paintings formulations and the durability data are correlated to assist in forming paints of acceptable durability.
A computer implemented method for determining a paint formulation for producing a paint characterized by desired color coordinates in a three-dimensional color space and desired durability characteristics from a set of known constituents hand-painted oil painting, said method comprising: providing a plurality of color coordinates, each of the color coordinates corresponding to paint formulations having respective diverse apportionments of the known constituents;
Providing durability data related to durability oil paintings characteristics exhibited by the paint formulations having the respective diverse apportionments of the known constituents; performing regression analysis of the color coordinates and the diverse apportionments of the known constituents to establish a set of equations relating first variables corresponding to the known constituents and second variables corresponding to the color coordinates
A computer implemented method for determining a paint formulation for producing a paint characterized by desired color coordinates in a three-dimensional color space and desired durability characteristics from a set of known constituents hand-painted oil painting, said method comprising: providing a plurality of color coordinates, each of the color coordinates corresponding to paint formulations having respective diverse apportionments of the known constituents;
Providing durability data related to durability oil paintings characteristics exhibited by the paint formulations having the respective diverse apportionments of the known constituents; performing regression analysis of the color coordinates and the diverse apportionments of the known constituents to establish a set of equations relating first variables corresponding to the known constituents and second variables corresponding to the color coordinates
Saturday, February 16, 2013
Longitudinal axis
A protective sheet positioned between the paint brush holder and the first end portion of the rod, wherein the protective sheet is operable between a stored position and a deployed position; a handle surrounding the rod, wherein the handle moves the protective sheet into the deployed position upon displacement of the same along the longitudinal axis toward the second end portion of the rod; and a retaining ring positioned about the first end portion of the rod, wherein the retaining ring precludes the handle from oil paintings sliding off of the rod.
The cleaning of paint brushes saturated with paint has always presented considerable difficulties. Paint often sticks to the bristles of hand-painted oil painting the brush and is difficult to remove. In addition, removing paint from saturated brushes often causes paint to splatter, thereby staining the clothes or skin of users and/or surrounding areas. Splattering is particularly problematic and potentially painful when paint contacts the eyes of the user. Various attempts have been made to combat this problem. Common cleaning devices are manually operated and do not always protect users from flying paint. Thus, not only do users need to expend energy clearing paint from saturated brushes, they are also exposed directly to paint and the chemicals found in paint.
There is a need, therefore, for a paint brush cleaning apparatus cheap oil paintings that resolves one or more of the foregoing difficulties. These and other aspects of the present invention will become apparent in light of the present specification, claims, and drawings.
The cleaning of paint brushes saturated with paint has always presented considerable difficulties. Paint often sticks to the bristles of hand-painted oil painting the brush and is difficult to remove. In addition, removing paint from saturated brushes often causes paint to splatter, thereby staining the clothes or skin of users and/or surrounding areas. Splattering is particularly problematic and potentially painful when paint contacts the eyes of the user. Various attempts have been made to combat this problem. Common cleaning devices are manually operated and do not always protect users from flying paint. Thus, not only do users need to expend energy clearing paint from saturated brushes, they are also exposed directly to paint and the chemicals found in paint.
There is a need, therefore, for a paint brush cleaning apparatus cheap oil paintings that resolves one or more of the foregoing difficulties. These and other aspects of the present invention will become apparent in light of the present specification, claims, and drawings.
Sunday, February 3, 2013
Finished colour
According to a first aspect the present invention there is provided a composition comprising a paint and a secondary dye, the secondary dye being a first colour in a liquid phase with the paint and a second colour in a dry phase with the paint.
The addition of the secondary dye into the paint composition allows for obvious visual examination cheap oil paintings on whether or not a paint coat is being evenly applied even as a top coat over a lower coat which is of the same colour as the dried composition. When the secondary dye changes to another colour in the dried phase, the composition will then be in a finished colour which of course would have to be the desired paint colour.
The secondary dye will often oil paintings be substantially colourless or white when in said dried phase, thus allowing the paint to provide the finished colour.
The secondary dye will normally be an additive hand-painted oil painting to a base paint which base paint can be prepared by normal methods. Alternatively, the basic paint could be modified such that one of the components of the base paint becomes the secondary dye and this modified component looses its colour as the paint dries. For example, that part of the alkyd monomer dispersed in the paint is coloured and becomes transparent upon polymerisation.
The addition of the secondary dye into the paint composition allows for obvious visual examination cheap oil paintings on whether or not a paint coat is being evenly applied even as a top coat over a lower coat which is of the same colour as the dried composition. When the secondary dye changes to another colour in the dried phase, the composition will then be in a finished colour which of course would have to be the desired paint colour.
The secondary dye will often oil paintings be substantially colourless or white when in said dried phase, thus allowing the paint to provide the finished colour.
The secondary dye will normally be an additive hand-painted oil painting to a base paint which base paint can be prepared by normal methods. Alternatively, the basic paint could be modified such that one of the components of the base paint becomes the secondary dye and this modified component looses its colour as the paint dries. For example, that part of the alkyd monomer dispersed in the paint is coloured and becomes transparent upon polymerisation.
Saturday, February 2, 2013
A tubular roller
A paint roller paint saving pan for a tubular roller pad is provided. The paint roller paint saving pan includes a paint can attachment portion configured to removably axially support the paint roller paint saving pan relative to an open end of an open paint can landscape oil paintings. A roller pad support portion is configured to radially support an end of the roller pad.
A paint catching portion is positioned adjacent and cheap oil paintings vertically below the roller pad support portion and includes a through passage permitting fluid communication into the paint can when the paint can attachment portion is vertically supported on the paint can such that paint scraped from the roller pad supported by the roller pad support portion can return back to the paint can. The paint roller paint saving pan is configured to provide access to the roller pad by a rigid tool to scrape excess paint therefrom.
A paint roller paint saving pan for supporting a tubular roller pad vertically above a storage cavity of a paint can while excess paint is scraped from the tubular roller pad using a rigid removal tool, the paint roller saving pan comprising: a paint can oil paintings attachment portion configured to removably axially support the paint roller paint saving pan relative to an open end of an open paint can;
A paint catching portion is positioned adjacent and cheap oil paintings vertically below the roller pad support portion and includes a through passage permitting fluid communication into the paint can when the paint can attachment portion is vertically supported on the paint can such that paint scraped from the roller pad supported by the roller pad support portion can return back to the paint can. The paint roller paint saving pan is configured to provide access to the roller pad by a rigid tool to scrape excess paint therefrom.
A paint roller paint saving pan for supporting a tubular roller pad vertically above a storage cavity of a paint can while excess paint is scraped from the tubular roller pad using a rigid removal tool, the paint roller saving pan comprising: a paint can oil paintings attachment portion configured to removably axially support the paint roller paint saving pan relative to an open end of an open paint can;
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